Gökçe Göktürk - Kendi Hikayem
The Album’s Theme
“Kendi Hikayem” portrays the journey of identity, love, loss, and rebirth of a young character who refuses to let others decide how her life should be lived.
The album’s central themes are: accepting oneself as one is, individual freedom, taking responsibility for one’s own choices, the pressures placed on young people, living love and life openly, the regret created by words left unspoken, the end of communication, beginning to walk again after losing one’s direction, breaking the silence, closing the roads leading back to the past, and rebuilding one’s identity through music.
The character at the centre of the album declares who she is aloud in the first song. However, saying “Ben Böyleyim” does not mean that all her problems have been solved or that she can remain strong under every circumstance. The character falls in love, celebrates life, becomes silent when the person she loves leaves, is left alone with the final message on her phone, and loses her direction for a while.
The album’s true strength emerges at this point. The character’s confidence does not come from perfection, but from refusing to hide what has broken within her. She may cry, feel afraid, remain silent, and make wrong decisions. Despite this, she does not allow others to write her story for her.
“Kendi Hikayem” is not merely an album about events that happened in the past. It also questions who has the right to tell the story and determine the direction of a life. The conclusion reached by the album is clear: Other people may interfere with what the character experiences, try to stop her, or fail to hear her voice, but the final word in the story will still belong to the character herself.
The Album’s Story
The album begins with a young character declaring her identity against the expectations of the people around her. In the first three songs, the character appears outgoing, free, and open to love and life. In the fourth and fifth songs, this lively world suddenly turns into silence and separation. Beginning with the sixth song, the character starts walking again; in the final three tracks, she fully embraces her voice, her struggle, and her identity as an artist.
Ben Böyleyim — Declaration of Identity: At the opening of the album, the voices of people telling the character “It is too early” and “Stop” can be heard. While the people around her make decisions about her life, they do not listen to what her heart is saying. In response, the character says that she knows her own path and that whether her choices are right or wrong, they belong to her. The phrase “Ben Böyleyim” becomes the album’s opening declaration. The character accepts that she may cry, feel afraid, and feel alone, yet she embraces herself together with all these states.
Gece Bizi Çağırıyor — The Transition from “I” to “We”: In the second song, the character does more than defend herself; she opens herself to the night, music, and the intimacy she forms with another person. When the city falls silent, the lights come on, footsteps follow the rhythm, and two people find one another within the crowd. The word “I,” which stands out in the first song, gives way to “we” here. The character shows that she can create a shared moment with someone else without losing her own identity.
Sarıl Bana — Participating in Life and Love: In the third song, the dark and mysterious atmosphere of the night gives way to the sun, the sea, the beach, and friends. The character does not hide her love; by saying “Sarıl Bana,” she openly expresses what she wants. Alongside love, friendship, music, and summer are also parts of happiness. The phrase “I am here, I am alive” shows that the character has stopped watching life from a distance and has entered it fully.
Gitme Demedim — The First Major Break: The album’s bright opening comes to an abrupt end in the fourth song. The sunny beach is replaced by a cold pillow, a silent room, and a sleepless night. The character who was able to say “Sarıl Bana” in the previous song is now unable to say “Gitme” or “Kal” to the person she loves. What hurts her is not only the separation, but also the fact that she could not express her feelings in time. For the first time in the album, the outward-facing character is drawn into silence.
Son Mesaj — The Closing of Communication: In the fifth song, physical separation becomes digital silence. The phone has gone quiet, the screen has gone dark, and the final message remains where it was left. The character tries to establish a boundary by saying “Do not write anymore,” but immediately admits that she is hurting inside and never said so. Positioned at the centre of the album, this song represents the character’s most uncertain point between returning to the past and protecting herself.
Kırık Pusula — Walking Again: The sixth song forms the album’s turning point. The old instruments that once showed the character her direction no longer work; despite this, she does not stop walking. The phrase “I was not lost, I only became silent” redefines the silence of the previous two songs. Silence no longer means disappearing completely, but recovering and gathering strength within. The character begins to see every mistake as an answer and every place where she fell as a space of rebirth.
Sağır Dünya — Reclaiming the Voice: In the seventh song, the character’s inner resistance turns outward. With the question “Is my voice not coming out, or is the world deaf?” she questions why she has remained unheard for so long. She no longer searches for the problem only within herself; she realises that the world may genuinely have failed to listen. With the cry “Hear me, Sağır Dünya, I am here,” she breaks her silence. The character reclaims her place and declares that she has rewritten her story from the beginning.
Geri Dönüş Yok — The Final Decision: In the eighth song, voice turns directly into action. The character closes the former period, breaks the locks, and burns the ships symbolising the roads leading back. She no longer merely wants to be seen or heard; she takes ownership of the space in which she fights. The phrase “This woman builds her own road” expresses the album’s themes of individual freedom and female agency in their clearest form. The character finalises her decision not to return to the past.
Ruhumda Yangın Var — Artistic Rebirth: In the final song, the character evaluates her entire journey within a broader framework. She has fallen to the very bottom, forgotten her own name in the darkness, and been destroyed many times. The first force that lifts her is the voice within saying, “It is not over.” Music then takes her hand, connects the night to the day, and carries the character onto the stage. In the finale, it becomes clear that the true victory is not defeating the outside world, but reclaiming her own identity: “They thought I had lost, but I won myself back.” The album ends with the statement, “My story begins here.”
What Is the Album Trying to Say?
“Kendi Hikayem” explains that the right to live one’s own life does not consist only of behaving freely. Writing one’s own story means making choices, making mistakes, loving, losing, remaining silent, and accepting the consequences of all these experiences.
The character in the album resists the interference of others from the very first song. However, the following tracks show that making one’s own decisions does not always lead to the right outcome. The character finds happiness in love and lives her emotions openly, but when separation arrives, she cannot say what needs to be said. In this way, the idea of freedom does not remain a superficial rebellion. Confronting the pain created by one’s own choices also becomes part of that freedom.
The album’s central idea is this: Owning one’s story means embracing not only the beautiful chapters, but also accepting the mistakes, silences, and fractures without denying them.
The character’s transformation does not occur because someone else saves her. Love gives her vitality, but the end of love causes her to become lost again. Afterward, she finds her way not through another person’s love, but through her own inner resistance and music.
The album also shows the difference between making one’s voice heard and being truly understood. In the first song, the character says that her heart is not heard. In the fourth song, she cannot speak; in the fifth, communication closes completely. In the sixth song, she explains her silence; in the seventh, she shouts at the world; and in the finale, she becomes “a scream that never falls silent.”
For this reason, one of the album’s clearest developments is its movement from silence toward voice. The character moves from a point where others define her to a point where she announces her own name and story to the world.
The Meaning of the Album Title
The title “Kendi Hikayem” expresses not only that the album consists of personal events, but also that the right to narrate and direct those events belongs to the character.
In the album’s first song, the character says, “I know my own path” and “It is my own choice.” In the seventh song, the phrase “I rewrote this story from the beginning” is used. In the finale, the album title is completed directly through the statement “My story begins here.”
The word “Kendi” is especially important. Around the character are people who tell her how she should live, believe that it is too early, ask her to stop, or fail to hear her voice. The album does not silence these external voices completely, but it refuses to allow them to become the final authority over the character’s life.
The word “Hikâye” does not describe only events that have already happened. The story continues, and the character is capable of rewriting it. Wrong decisions, separations, and periods of silence do not mean that the story has failed. They are chapters through which the character forms her identity.
The statement “My story begins here” in the album’s finale creates a deliberate contrast. The nine-song album has ended, but the character’s true story is only beginning. The process followed by the listener is the character’s preparation to assume authorship of her own life.
The Emotional Flow Between the Songs
First Stage — Claiming Identity and Life: “Ben Böyleyim,” “Gece Bizi Çağırıyor,” and “Sarıl Bana” form the album’s outward-facing and lively opening section. The character first declares her identity, then forms a connection with another person, and becomes visible within life through love, music, and friendship.
Second Stage — The Unspoken and the Break: “Gitme Demedim” and “Son Mesaj” create the fracture at the album’s emotional centre. The character cannot speak, the person she loves leaves, and communication is reduced to the final message on a phone. The open expression of the first three songs gives way to silence and uncertainty.
Third Stage — Finding Direction Again: “Kırık Pusula” is the transitional track in which the character begins to emerge from inactivity. Her direction is not certain, but she continues walking. She transforms her silence from defeat into a period of recovery.
Fourth Stage — Voice, Decision, and Struggle: “Sağır Dünya” and “Geri Dönüş Yok” form the section in which the character regains strength. She first asks the world to hear her, then stops waiting for the world’s answer and opens her own road.
Fifth Stage — Reclaiming Herself and Her Art: “Ruhumda Yangın Var” is the result of the entire process. Through music, the character transforms her fears, fractures, and struggle into a new identity. In addition to becoming the author of her story, she becomes the artist who performs it on stage.
Content and Narrative
The recurring images of voice, roads, fire, night, light, music, and story create powerful connections between the songs throughout the album.
Voice and Silence: The development of the voice is the album’s most important narrative line. In “Ben Böyleyim,” the character’s heart is not heard. In “Gece Bizi Çağırıyor,” eyes and rhythm replace words. In “Sarıl Bana,” the character openly expresses what she wants. In “Gitme Demedim,” she loses the ability to speak. In “Son Mesaj,” the phone falls silent and the screen goes dark. In “Kırık Pusula,” the character explains her silence by saying, “I only became silent.” In “Sağır Dünya,” she shouts at the world. In “Geri Dönüş Yok,” she leaves behind the days when she remained silent. In “Ruhumda Yangın Var,” she describes herself as “a scream that never falls silent.” The album therefore progresses from becoming lost within silence to making voice a fundamental part of identity.
The Use of “I,” “We,” and “You”: In the first song, the word “I” is repeated strongly. In the second song, this identity opens itself to the experience of “we.” In the third song, the character approaches “you” directly. In the fourth and fifth songs, this communication breaks down. Beginning with the sixth song, “I” emerges again, but this time it carries a more experienced and conscious identity than the youthful rebellion at the beginning.
Road and Direction: In the first song, the character says that she knows her own path. In the second song, two people enter a road with no return. In “Kırık Pusula,” the instrument showing direction is broken, but the character continues walking. In “Geri Dönüş Yok,” every road now opens forward. In the finale, the character says that she has already drawn her path. The image of the road develops from a confident claim into a genuine sense of direction earned through experience.
Fire and Flames: In “Ben Böyleyim,” there is fire in the character’s eyes. In “Gece Bizi Çağırıyor,” it is said that the fire between two people will not go out. In “Sağır Dünya,” fear burns and turns to ash. In “Geri Dönüş Yok,” the character’s spirit burns the ships. In the finale, all these smaller images of fire unite within the phrase “Ruhumda Yangın Var.” At the beginning, fire represents youthful energy and attraction; by the end of the album, it has become the force of life, struggle, and art.
Night and Morning: Night does not carry only one meaning in the album. In “Ben Böyleyim,” it is a time when the character becomes afraid and lonely, although she returns to herself in the morning. In “Gece Bizi Çağırıyor,” night becomes a space of freedom and intimacy. In “Gitme Demedim” and “Son Mesaj,” it becomes the time that intensifies loneliness. In the finale, music connects night to day. In this way, night is used as a space of fear, love, and transformation.
Images of Water and the Sea: In “Sarıl Bana,” the sea represents joy in life and freedom. In “Sağır Dünya,” the harbour, the great wave, the storm, and sinking ships take on meanings of struggle and shelter. In “Geri Dönüş Yok,” the ships are deliberately burned. Images connected to the sea change throughout the album from happiness to storm, and then to definitive separation.
Story and Authorship: In connection with the album title, the character continually claims the right to narrate and rewrite her own life. In the first song, she defends her choices. In “Sağır Dünya,” she says that she has rewritten the story from the beginning. In the finale, she declares that her story begins at that exact point. The album transforms the character from the passive subject of events into the author of her own story.
Music and the Stage: In the first song, the character sings loudly in the street. In “Gece Bizi Çağırıyor,” rhythm brings people together. In “Sarıl Bana,” an old guitar and songs sung together become parts of happiness. In the finale, music becomes a force that takes the character by the hand, lifts her from the place where she fell, and carries her onto the stage. Music begins as a way of life and becomes a means of healing and identity.
Musical Identity
The overall musical foundation of “Kendi Hikayem” is built upon Rock. The album’s main subgenre is Turkish Rock, although its Alternative Rock identity becomes increasingly prominent, especially in the second half.
Classifying the entire album only as Pop-Punk would be too narrow. Fast tempos, short and direct lyrics, a youthful female vocal, and powerful choruses create a strong Pop-Punk influence. Despite this, dark tonal structures, a medium-tempo finale, anthem-like rises, and a narrative based on inner confrontation place the album within a broader Turkish Rock and Alternative Rock space.
Ben Böyleyim: With its fast tempo, direct declaration of identity, and sing-along chorus, it stands between Turkish Rock and Pop-Punk.
Gece Bizi Çağırıyor: It combines a rock foundation with a rhythmic and danceable structure. Dance-Rock and dark Alternative Rock influences come to the forefront.
Sarıl Bana: It carries the album’s brightest Pop-Rock approach. A relaxed half-time feel and double-time energy support the summer atmosphere.
Gitme Demedim and Son Mesaj: With their short durations, fragmented sentences, and minimal narratives, they function as emotional snapshots within the album. They combine Indie Rock and Pop-Punk influences.
Kırık Pusula: It is one of the album’s most compact and direct Pop-Punk/Alternative Rock releases. The “I was not lost” chorus has a slogan-like quality.
Sağır Dünya: It has a more medium-tempo, expansive, and anthem-like Alternative Rock structure. It carries one of the album’s major choruses opening the character’s voice toward the outside world.
Geri Dönüş Yok: With hardness approaching Hard Rock, determined rhythmic movement, and short lines of struggle, it forms the album’s most aggressive section.
Ruhumda Yangın Var: With its medium tempo, extended form, and dramatic structure, it carries Anthemic Rock and Melodic Hard Rock influences. After the album’s earlier short tracks, it opens a broader musical space for the finale.
The album’s total duration of 25 minutes and 23 seconds shows that its musical approach is compact. Despite containing nine songs, the album avoids unnecessary extension. The particularly short durations of the fourth, fifth, and sixth tracks present separation, lack of communication, and loss of direction as fragmented scenes.
The final song reaching 4 minutes and 30 seconds is structurally effective. After progressing throughout the album through short phrases and sudden emotional transitions, the character finally receives the opportunity to tell her entire story within a broader musical space.
Vocal Identity
Gökçe Göktürk’s vocal character is the central element holding together the album’s different genre directions.
The vocal’s defining qualities are: a youthful and direct female vocal attitude, a slightly rough rock colour, powerful emphasis in short phrases, more controlled narration in the verses, expanding energy in the choruses, a performance that does not hide vulnerability, and a balance between rebellion and emotional openness.
At the beginning of the album, the vocal carries a defiant identity. In “Ben Böyleyim,” the character defines herself while looking directly into the eyes of others. In “Gece Bizi Çağırıyor” and “Sarıl Bana,” the performance becomes more inviting, energetic, and joyful.
In “Gitme Demedim” and “Son Mesaj,” the vocal space narrows. Short phrases support the emotions the character struggles to express and her withdrawal into herself. The vulnerability here does not show that the confidence in the first song was false; it reveals that even a strong character may be unable to speak in certain moments.
With “Kırık Pusula,” the voice becomes harder again. The phrase “I was not lost” is the character’s declaration of return. In “Sağır Dünya,” the vocal expands from a personal inner monologue into an anthem-like call to the world. In “Geri Dönüş Yok,” it reaches a harder and more action-oriented attitude.
“Ruhumda Yangın Var” brings together all the vocal colours found throughout the album. The exhaustion in the opening verses, the inner resistance in the word “It is not over,” the breadth of the choruses, and the stage declaration in the finale complete the character’s vocal journey.
In Gökçe’s performance, being strong does not mean never crying or never feeling afraid. The vocal identity is built upon the character’s ability to protect her own worth without hiding her emotions. This directly aligns with the album’s central message.
The Album’s Strengths
The Union of Identity and Story: The album title, opening song, and final track strongly complete one another. The declaration of identity beginning with “Ben Böyleyim” reaches the conclusion “My story begins here.”
Clear Emotional Development: The character does not merely experience different emotions from song to song; she changes as a result of those emotions. There is a clear progression from freedom to love, from love to silence, from silence to voice, and from voice to artistic identity.
The Use of the Voice and Silence Motif: Not being heard, being unable to speak, the phone falling silent, explaining that she only became silent, shouting at the deaf world, and becoming a scream that never falls silent form the album’s strongest narrative line.
Musical Diversity: Pop-Punk energy, summery Pop-Rock, Dance-Rock, Indie Rock, Alternative Rock, Hard Rock, and an anthem-like finale are used within the same album. Thanks to the shared vocal attitude and lyrical world, this diversity does not feel scattered.
The Female Character as an Active Subject: The character is not merely someone who is abandoned, waits, or suffers. She makes her own decisions, takes responsibility for her mistakes, opens her own road, and rebuilds her identity through art.
The Narrative Function of the Short Tracks: Despite their short durations, “Gitme Demedim,” “Son Mesaj,” and “Kırık Pusula” form the album’s points of fracture and transition. Instead of lengthy explanations, these songs present sharp scenes from the character’s life.
A Powerful Finale: “Ruhumda Yangın Var” is not merely a high-energy closing track. It unites the album’s motifs of identity, voice, road, fire, music, and story within a single narrative.
Critical Evaluation
“Kendi Hikayem” is an album with strong narrative unity, but it should not be regarded as a strict concept album in which every song is the uninterrupted continuation of the same event.
The first three songs can be interpreted as stages of a single love story, while “Gitme Demedim” may be connected to the end of that relationship. However, the lyrics do not contain details definitively proving that every track describes the same people and the same timeline. For this reason, it is more accurate to define the album as a semi-concept work with strong narrative cohesion.
In the second half of the album, images frequently used in rock music—such as fire, ashes, storms, ships, roads, locks, public squares, and rebirth—become more concentrated. These images are not completely original on their own.
What makes the album personal is the placement of these images within the sequence of the character’s development. After the compass breaks, the road is found again; while the world refuses to hear, the voice grows louder; after the ships sink, the ships leading back are deliberately burned; and the smaller fire images transform into a fire within the soul in the finale.
“Sağır Dünya,” “Geri Dönüş Yok,” and “Ruhumda Yangın Var” are three powerful rising tracks placed consecutively. For this reason, when considered only through their central messages, they carry a risk of repetition. However, their functions within the album are distinct: “Sağır Dünya” represents reclaiming the voice, “Geri Dönüş Yok” represents decision and action, and “Ruhumda Yangın Var” represents the recreation of artistic identity.
The short durations of “Gitme Demedim” and “Son Mesaj” may leave some listeners feeling that their development ends too early when heard independently. Within the album sequence, however, this brevity is functional. The character’s inability to communicate, unfinished sentences, and abrupt endings are reflected in the form of the songs themselves.
The transition from “Sarıl Bana” to “Gitme Demedim” is quite sharp. The way the relationship deteriorates is not explained in detail. This leaves a gap in the story, but it also allows the listener to feel the character’s sudden emotional fracture directly.
Its Place in Gökçe Göktürk’s Career
As Gökçe Göktürk’s second album, “Kendi Hikayem” is an important work that moves the artist’s identity beyond themes of loneliness and separation.
The debut album Sessizlikte Kayboldum was built around the character losing direction within herself and eventually rising again. “Kendi Hikayem,” however, focuses on how the character wants to live after rising again, how she will use her voice, and how she will build her identity as an artist.
On this album, Gökçe is not merely a character existing within emotional events. She becomes an active subject who knows her own road, accepts responsibility for her choices, forms connections with others, confronts her silence, addresses the world, and ultimately steps onto the stage.
In particular, the songs “Ben Böyleyim,” “Sağır Dünya,” “Geri Dönüş Yok,” and “Ruhumda Yangın Var” are central tracks defining Gökçe Göktürk’s artistic position.
“Ben Böyleyim” represents her personal identity, “Sağır Dünya” her demand to be heard, “Geri Dönüş Yok” her determination, and “Ruhumda Yangın Var” her vital connection with music and the stage.
The album shows that alongside her fast and youthful Pop-Punk energy, the artist can also carry medium-tempo, anthem-like, and heavier Alternative Rock structures. In this way, it expands Gökçe’s musical range while preserving her fundamental female rock identity.
Overall Evaluation
“Kendi Hikayem” is a powerful Turkish Rock and Alternative Rock album that presents the themes of individual freedom, youth, love, lack of communication, rediscovering direction, and reclaiming oneself through art within a cohesive progression.
The album’s most successful quality is that it does not leave the message “Write your own story” at the level of a slogan. When the character decides to write her own story, everything does not become easy. She falls in love, loses the person she loves, confronts what she could not say and the final message. Owning the story is presented not as protection from pain, but as accepting responsibility for and giving meaning to what happened.
The first half of the album reveals the character’s youth, love, and vulnerability, while the second half constructs her voice, struggle, and artistic identity. These two sides complete one another. If the album contained only rebellion, the character could remain one-dimensional; if it focused only on love and separation, the title might not receive a sufficiently powerful response.
“Kendi Hikayem” brings these two directions together. The character can be open enough to say “Sarıl Bana” and vulnerable enough to be unable to say “Gitme.” She can be afraid of the night and still shout at the deaf world. She can fall and still rebuild her own road.
The energy that gradually grows across the final three songs makes the finale feel earned. The character does not become strong in an instant. She first walks with her broken compass, then reclaims her voice, refuses to return to the past, and finally embraces her own name, music, and stage.
Conclusion
“Kendi Hikayem” is an album of identity and rebirth that begins with other people saying “Stop” and ends with the character declaring, “My story begins here.”
At the beginning of the album, the character defends herself against the belittling of her youth, choices, and emotions. She lives love and life openly, but cannot always remain strong when separation arrives. She cannot say what needs to be said, stands before the final message, and loses her direction.
Despite this, the story does not end there.
The character continues walking with her broken compass. She explains that her silence did not mean she was lost. She calls out to the world that failed to hear her, closes the roads leading back to the past, and regains her own identity with the help of music.
The album’s entire meaning is gathered into three stages: “This is who I am,” “I rewrote this story from the beginning,” and “My story begins here.”
The first sentence represents identity, the second represents will, and the third represents a new life.
“Kendi Hikayem” is Gökçe Göktürk’s character-centred second album, with strong narrative unity, describing her claim over her own voice, path, and artistic existence, and extending from fast Pop-Punk energy to a powerful Alternative Rock finale.
- Genre
- Rock
- Subgenre
- Turkish Rock - Alternative Rock
- Type
- Album
- Release Date
- 07.08.2026
- Language
- Turkish
- Label
- Göktürk Müzik
Şarkılar
- Genre
- Rock
- Subgenre
- Alternative Rock - Pop-Punk
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Ben Böyleyim - LYRICS
Dediler ki "Erken"
Dediler ki "Dur"
Ama kalbim ne diyor
Onu duymadılar
Saçımda rüzgâr var
Gözümde bir ateş
Daha dün çocuktum belki
Ama bugün ben yetişkin
Kimse karışmasın bana
Ben kendi yolumu bilirim
Yanlış da yapsam doğru da
Kendi seçimimdir!
Ben böyleyim!
Beğenmiyorsan kapat gözünü!
Yanarım, sönerim
Ama eğilmem önünde!
Ben böyleyim!
Anlamıyorsan çok üzgünüm!
Ağlarım, gülerim
Ama hep dik dururum!
Sokakta gezerken
Şarkı söylerim yüksek sesle
Yağmur da yağsa, güneş de çıksa
Umrumda mı hiç!
Telefonumu kapatırım
Aramaları boş veririm
Hayat çok kısa
Ben de ömrümü yerim!
Kimse karışmasın bana
Ben kendi yolumu bilirim
Yanlış da yapsam doğru da
Kendi seçimimdir!
Ben böyleyim!
Beğenmiyorsan kapat gözünü!
Yanarım, sönerim
Ama eğilmem önünde!
Ben böyleyim!
Anlamıyorsan çok üzgünüm!
Ağlarım, gülerim
Ama hep dik dururum!
Bazen korkarım geceden
Bazen yalnız hissederim
Ama sabah olunca
Yine kendim olurum
Bu yaş çok zor bazen
Herkes sana akıl verir
Ama kimse sormaz
"Nasılsın?" diye...
Ben böyleyim!
Beğenmiyorsan kapat gözünü!
Yanarım, sönerim!
Ama eğilmem önünde!
Ben böyleyim!
Anlamıyorsan çok üzgünüm!
Ağlarım, gülerim!
Ama hep dik dururum!
Ben böyleyim, ben böyleyim...
Böyleyim işte...
Ben...
Ben böyleyim!
- Genre
- Rock
- Subgenre
- Alternative Rock - Dance-Rock - Pop-Punk
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Gece Bizi Çağırıyor - LYRICS
Sönmeyecek, yak
Güneş battı, şehir sustu bir anda
Gölgeler büyüyor sokaklarda
Işıklar yanıyor teker teker
Bu gece içimde bir şeyler bekler
Adımlarım ritme ayak uydurur
Zaman durur, sanki her şey durur
Gözlerini kapat, sesi dinle
Karanlık dans ediyor seninle
Kaçış yok bu gizemli rüyadan
Uzaklaşalım şimdi dünyadan
Gece bizi çağırıyor, duyuyor musun?
Gözlerinle ruhumu okuyor musun?
Bırak kendini ritmin akışına
Gerek yok artık hiçbir açıklamaya!
Gece bizi çağırıyor, burdayız bak
Bu ateş içimizde sönmeyecek, hadi yak!
Göz göze geldik o loş ışıkta
Bir sır saklı bu fısıltıda
Herkes kaybolmuş kendi derdinde
Biz bulduk birbirimizi bu sahne içinde
Nabzım hızlanıyor, baslar vururken
Gitme sakın daha çok erken
Gözlerini kapat, sesi dinle
Karanlık dans ediyor seninle
Kaçış yok bu gizemli rüyadan
Uzaklaşalım şimdi dünyadan
Gece bizi çağırıyor, duyuyor musun?
Gözlerinle ruhumu okuyor musun?
Bırak kendini ritmin akışına
Gerek yok artık hiçbir açıklamaya!
Gece bizi çağırıyor, burdayız bak
Bu ateş içimizde sönmeyecek, hadi yak!
Farkında mısın?
Geri dönüşü yok bu yolun
Farkında mısın?
Bu gece bizim, bu an sonun... başlangıcı.
Gece bizi çağırıyor, duyuyor musun?
Gözlerinle ruhumu okuyor musun?
Bırak kendini ritmin akışına
Gerek yok artık hiçbir açıklamaya!
Gece bizi çağırıyor, burdayız bak
Bu ateş içimizde sönmeyecek, hadi yak!
Gece çağırıyor...
Sönmeyecek, yak...
- Genre
- Rock
- Subgenre
- Pop-Rock - Pop-Punk
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Sarıl Bana - LYRICS
Güneş vuruyor tenime
Deniz kokusu saçlarımda
Gözlüğümü taktım
Dünya pembeye döndü birden
Ayaklarım kumda
Kalıyor izlerim arkamda
Bu yaz her şey farklı
Sanki dünya döndü bana
Durabilir mi zaman?
Hiç bitmesin isterim
Bu güneş, bu deniz, bu sen
Ve bu aşk
Sarıl bana!
Çaldı aşk kapımı
Dans ediyorum sahilde
Kim tutabilir beni?
Sarıl bana!
Bu yaz hiç bitmesin
Müzik çalsın, herkes söylesin
Ben burdayım, yaşıyorum!
Buz gibi bir içecek
Elimde eski bir gitar
Arkadaşlarım yanımda
Her şey tamam, eksik yok bu an
Dalgalar vuruyor sahile
Biz de vuruyoruz hayata
Bu yaz aşk var
Hiçbir kural yok
Durabilir mi zaman?
Hiç bitmesin isterim
Bu güneş, bu deniz, bu sen
Ve bu aşk
Sarıl bana!
Çaldı aşk kapımı
Dans ediyorum sahilde
Kim tutabilir beni?
Sarıl bana!
Bu yaz hiç bitmesin
Müzik çalsın, herkes söylesin
Ben burdayım, yaşıyorum!
Belki her yaz böyle olmaz
Belki bu bir rüya
Ama tutmak istiyorum
Bu anı avuçlarımda
Sarıl bana!
Çaldı aşk kapımı
Dans ediyorum sahilde
Kim tutabilir beni?
Sarıl bana!
Bu yaz hiç bitmesin
Müzik çalsın, herkes söylesin
Ben burdayım, yaşıyorum!
- Genre
- Rock
- Subgenre
- Alternative Rock - Indie Rock - Pop-Punk
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Gitme Demedim - LYRICS
Yastık soğuk
Oda sessiz
Gece çöktü
Sen yoksun
Perde açık
Gece uzun
Ay uyanmış
Ben uyumadım
Gitme demedim
Kal da demedim
İçim kırıldı
Sana diyemedim
Sana diyemedim!
Bir fincan çay
Soğudu yine
Masanın üstü
Sessizlik doldu yine
Adını andım
İçim sızladı
Sonra sustum
Geçer dedim
Gitme demedim
Kal da demedim
İçim kırıldı
Sana diyemedim
Belki yarın
Unuturum
Bilmiyorum...
- Genre
- Rock
- Subgenre
- Pop-Punk - Indie Rock - Alternative Pop-Rock
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Son Mesaj - LYRICS
Telefon sustu
Ekran karardı
Son mesajın
Öyle kaldı
Gece büyüdü
Saat geç oldu
Ben bekledim
Sen dönmedin
Yazma artık
Okumuyorum
İçim acıyor
Söylemiyorum
Yağmur indi
Camı vurdu
İsmin yine
Aklıma düştü
Bir adım attım
Sonra durdum
Kendime bile
Anlatamadım
Yazma artık
Okumuyorum
İçim acıyor
Söylemiyorum
Belki bir gün
Gülerim
Bilmiyorum...
- Genre
- Rock
- Subgenre
- Pop-Punk - Alternative Rock
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Kırık Pusula - LYRICS
Yollar uzun
Ben yürüyorum
Kırık pusulayla
Yön buluyorum
Rüzgâr esti
Şehir değişti
Ama içimde
Bir şey direndi
Kaybolmadım!
Sadece sustum!
Düştüğüm yerde
Yeniden doğdum!
Her köşe başı
Başka sınavdı
Her yanlışım
Bir cevaptı
Kimse görmez
İçimde olanı
Ben taşıdım
İçimde sevdamı
Kaybolmadım!
Sadece sustum!
Düştüğüm yerde
Yeniden doğdum!
Yol bitmedi...
Ben bitmedim...
- Genre
- Rock
- Subgenre
- Turkish Rock - Alternative Rock - Pop-Punk
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Sağır Dünya - LYRICS
Zihnimin limanına
Sığındım usulca
Sesim mi çıkmıyor ?
Dünya mı sağır ?
Yine mi gece
Yine mi kahır ?
Dalgası büyük
Yükü çok ağır
Geliyor fırtına
Hadi bağır
Duy beni sağır dünya
Ben burdayım!
Yıkılmadım
Bak hala ayaktayım
Koparıp aldım
Kendi payımı
Yazdım en baştan
Bu hikâyeyi…
Gemiler battı
Umudum kaldı
Bitti o sessizlik!
Zamanı geldi
Korku yandı
Küle döndü
Sustukça bittik
Durduramazlar
Sustukça yittik
Yıkamazlar!
Duy beni sağır dünya
Ben burdayım
Yıkılmadım
Bak hala ayaktayım
Koparıp aldım
Kendi payımı
Yazdım en baştan
Bu hikâyeyi!
Artık sesim gür
Artık ruhum hür
Sağır dünya
Gör beni
- Genre
- Rock
- Subgenre
- Hard Rock - Turkish Rock - Pop-Punk
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Geri Dönüş Yok - LYRICS
Bitti o devir, sayfa kapandı
Korkunun yerini öfke aldı
Sustuğum günler geride kaldı
Yollar önümde, gözüm karardı
Tüm gemileri ruhum yaktı
Şimdi izle!
Geri dönüş yok!
Kırdım kilitleri
Sınırları aş!
Sil geçmişi
Benim bu kavga
Benim bu meydan
Korkmuyorum artık
Hiçbir beladan!
Geri dönüş yok!
Şehir üstüme
Gelse ne yazar ?
Kendi yolunu
Bu kadın yapar
Zayıf olanlar
Kenarda durur
Düştüm...
Ezildim...
Öldüm sanıldı...
Ama bu can bin kez dirildi!
Geri dönüş yok!
Kırdım kilitleri
Sınırları aş!
Sil geçmişi
Benim bu kavga
Benim bu meydan
Korkmuyorum artık
Hiçbir beladan!
Geri dönüş yok!
Geri dönüş yok!
- Genre
- Rock
- Subgenre
- Alternative Rock
- Lyricist
- Gökyüzü Göktürk
- Composer
- Gökyüzü Göktürk
- Producer
- Gökyüzü Göktürk
- Arranger
- Gökyüzü Göktürk
- Mastering Engineer
- Gökyüzü Göktürk
- Mixing Engineer
- Gökyüzü Göktürk
- Programmer
- Gökyüzü Göktürk
Gökçe Göktürk - Ruhumda Yangın Var - LYRICS
Bir zamanlar düştüm en dibe
Adımı unuttum karanlıkta
Ama içimde bir ses vardı
“Bitmedi” dedi, en son noktada
Avuçlarım kan, içim fırtına
Yollar uzun, geceler sert
Ama kalbim hâlâ atıyorsa
Demek ki savaşım daha bitmemiş
Ne kader yazdı sonumu
Ne korku tuttu kolumdan
Ben küllerimden adımı
Yeniden kazıdım zamana
Ruhumda yangın var, sönmez artık
Bu ateş beni zirveye taşır
Düştüm ama kalktım, yılmadım
Benim hikâyem burda başlar…
Ruhumda yangın var, yanar durur
Her nota damarlarımda
Kaybettim sandılar…
Ama ben kazandım kendimi bu hayatta
Bir şarkı çaldı içimde
Geceyi gündüze bağladı
Müzik tuttu elimden
Yıkıldığım yerden kaldırdı
Kim ne derse desin boş
Ben yolumu çoktan çizdim
Her darbede biraz daha
Kendi efsaneme dönüştüm
Ne geçmiş zincir olur bana
Ne yarın korku salar
Ben sahnedeyim şimdi
Ve bu dünya sesimi duyar
Ruhumda yangın var, sönmez artık
Bu ateş beni zirveye taşır
Düştüm ama kalktım, yılmadım
Benim hikâyem burda başlar…
Ruhumda yangın var, yanar durur
Her nota damarlarımda
Kaybettim sandılar…
Ama ben kazandım kendimi bu hayatta
Kaç kere yandım, küle döndüm
Kaç kere sustum, dişimi sıktım
Ama her karanlığın içinden
Bir gün kendi ışığımı çıkardım
Bu dünya acımasız, biliyorum
Ama ben ondan daha inatçıyım
Sorarsan kimim, ne oldum diye
Ben susmayan bir çığlığım
Ruhumda yangın var, sönmez artık
Bu ateş gökyüzünü yakar
Düştüm ama kalktım, yılmadım
Benim hikâyem burada başlar…
Ruhumda yangın var, yanar durur
Bu müzik kanımda akar
Kaybettim sandılar…
Ama ben kazandım kendimi bu savaşta
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